A few years ago, Don Zilla was sat alone in an internet cafe teaching himself FL Studio, dreaming of becoming one of Africas greatest music producers. These early experiments evolved into 2019s From the Cave to the World, an EP that showcased Zillas rare fusion of eerie industrial electronics, lurching bass and constantly shifting East African rhythms.
Now the manager of Kampalas Boutiq Studios, Zilla returns to Hakuna Kulala with his eagerly-awaited debut album Ekizikiza Mubwengula, a labyrinthine album that weaves freewheeling dance sub-genres into a bejewelled tapestry, signalling a path to the future. Theres the cybernetic nuum funk of dBridge, Empty-sets overdriven, cacophonous anxiety, the hyper-paced airlock club of Shanghais Hyph11E and the confrontational intensity of Dreamcrusher; everything is melted into a groove-fwd whole thats tough to resist.
Tangling trap into slippery, atmospheric doom-step on Buziba, experimenting with uptempo, Slikback-es-que rhythmic complexity on Tension and reshaping noisy industrial ambience on Shots, Zilla uses the album to continuously challenge expectations, folding sounds in on themselves Inception-style and allowing fresh rhythms, textures and forms to peek through. Its a bold step from a central character in East Africas rapidly-growing stable of paradigm-shifting experimental club producers.