MISTER WATER WET
"Mister Water Wet continues to excavate the tropical soundscapes that simmer the producer's Kansas City home with his Puerto Rican roots, on a new album of extended vignettes and mood pieces that cross a late 90s Mo Wax instrumentals vibe with present day feelings of displacement and ennui.
LP opener Bory tunes us into Water Wets weirdly fuzzed frequencies, where tremeloed strings and found sounds resemble what might have been a lost dean blunt x dean hurley sound design concept for Inland Empire, while I Saw the Green Flash' opens a swirl of strings and traditional rhythms caught in a reflecting pool of canned classical orchestrals and 1950s theremin wails. 'Good Apple, meanwhile, cranks up the mood with aged x looped piano paired with an undulating, bass-heavy shuffle that wouldn't sound out of place on a Kelman Duran x Martin Denny mixtape.
'When Kennybrook Burned to the Ground' leans into heady jazz vapours, spreading crackle over pitch-fucked horn samples, but its the producer's weird use of percussion that keeps us gripped: scattering his arrangements across the grid, mimicking an ensemble of players deployed in irregular formations. Romeu embraces trip-hop on 'Any Other Time', blending Afro-Caribbean percussion with a swung downtempo beat, while Isthmus reminds us of the clatterbox plunder of Moonshakes PJ Harvey hookup Just a Working Girl - with all its asymmetric hooks.
The extended closing track 'Losing Blood' takes a leaf out of Fennesz's glitched rulebook, stretching and folding disintegrating loops through an 11 minute descent into the elegiac aether. "