Faitiche is delighted to present a long-lost vinyl album: for the last 14 years, Jan Jelinek's Loop-Finding-Jazz-Records, originally released in 2001 on ~scape, existed only as a download. Now the album is available again on vinyl, as a double LP with two bonus tracks (B-sides from the Tendency EP, 2000).
What the press said about Loop-Finding-Jazz-Records:
Dont be misled by the title, though for there isnt a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm. (Alternative Press)
The title acts as explanation for the studio technique that provided the basis for this album, snippets of other peoples arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas. (ATM)
Jelineks sound evolved out of his dislike for (and inability to play) keyboards.
Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn players hissing intake of breath it would have been jazz enough for his purposes.
Its a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.
All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations.
Listen carefully and youll hear textures slowly unfolding and mutating. Presuming youve not fallen asleep of course.
At times, its all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness
Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.
Ive been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.