Jos Smolders Textuur 2 [ |||| - - - - ]

Label / CRONICA ELECTRONICA
Category / Experimental, Abstract, Concrete, Modular Synth
Code / CE216

This album is part 2 in a series where I investigate processes to strip sounds from their original context and slice them into tiny bits. By doing this, sounds are separated from their source and as such severed from what they originally represented. What’s interesting and challenging for me in the project is to find the crossover area where representation disappears, and the sound becomes an abstraction. Where this is varies depending on the original sound. Already in the 1950s, Pierre Schaeffer investigated this and introduced the term objet sonore as an object that has a sonic quality of its own. In addition, Schaeffer also defined the objet musicale, which is the state after the sound object is manipulated and transformed into a musical entity. One could say that the objet sonore is the raw material and the objet musicale the intermediate or the final product. I started reading Schaeffer’s texts in 1981, after hearing Symphonie pour un homme seul and realizing that the wild sound experiments that I had been doing in my small flat had a history that went back to the late 1940s. Searching for more information, all I found was a single French text which I got from the library. I xeroxed all the pages and started reading, slowly, slowly, because I had not been paying much attention during French classes in high school. I have always found the idea of sound removed from its physical source to be problematic. Whenever I listened to musique concrète, I still recognized the sound source with all its physical and psychological connotations. So, what kind of game was being played here? I didn’t quite ‘get it’, apparently. But I loved listening to the recordings and through the years crafted my own musical style.

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Jos Smolders Textuur 2 [ |||| - - - - ]